[OutVoice] R.U.B. live! reviewed by Jed Ryan of PM Entertainment Magazine
THEMUSENYC at aol.com
THEMUSENYC at aol.com
Mon Dec 18 17:17:27 CST 2006
(forwarded from Jed Ryan, PM ENTERTAINMENT MAGAZINE)
R.U.B. at PENANG LOUNGE!
On Tuesday, Nov 14th, R.U.B. performed live at New York City's Penang
Lounge for what the quartet promised to be four hours of "maximum 80s pop". Who
are R.U.B? They are four experienced musicians, each of whom have gained a
reputation in Gotham's independent music scene in their own right: Robert Urban
on vocals and guitar, Gordon Smith of the electro-pop band Rubberlegs on
vocals and synthesizer, Steve Sullivan on bass, and Anthony Maulella, also of
Rubberlegs, on percussion. Even though these four gents have worked with each
other before in various collaborations, this was R.U.B.'s official debut
performing as a band. Indeed, the Upper West Side of Manhattan venue Penang works
astonishingly well as a performance area, managing to be both grand and intimate
at the same time. The band's set included such diverse musical offerings
as Peter Gabriel's 1977 "Solsbury Hill" and the ultra-campy 1983 "Drop Your Pants"
from one-hit, one-named wonder Hilary. (Incidentally, when Gordon commanded,
"Drop Your Pants", no one in the audience obeyed. Hey, this was the Upper West
Side, not the Village!) Penang Lounge is bolstered by a hard-hitting sound
system, hard working staff, and even harder-working musicians for this
particular night. R.U.B. was matched by the reciprocal energy of the audience. Robert
Urban 's voice is haunting and otherworldly, and that voice can hit some
splendid high notes (shall we say, his voice knows how to "rise" to the musical
occasion...). Gordon Smith's voice is patently distant and cool with an
unquestionable underlying warmth and ingratiation. Smith, who has been making music
since 1978, often incorporates 80's classics into his shows-- solo and with
Rubberlegs-- while the oft-Award-winning Robert Urban counts the rock classics
of the '70's and early '80's as a big influence on his original works. In
Urban's words, "The 80's are the new classics anyway!" For those of us New
Yorkers like myself who grew up with the renegade station WLIR, that's an
understatement! Some of R.U.B's unearthed musical gems that night at Penang included
the obscure Our Daughter's Wedding's 1980 "Lawnchairs" (one of the few songs
from the '80's that luckily hasn't yet been exploited for a commercial for
Wal-Mart or an outdoor furniture store ad, despite an advertising agency's likely
temptation...) and an all-out, no-holes barred rendition of "Money Changes
Everything", written by Prince and performed by such icons as Cyndi Lauper,
although it seems to have become a favorite song for reinterpretation by many
independent musicians. The cumulative result of R.U.B.'s talents and their
selection of hit songs could best be described as an 80's music lover's rêve humide
(Although, to be completely accurate, there were a few songs from other
decades as well!)
These guys didn't waste any time. No sooner than you ordered your first
Lychee Martini, R.U.B. opened with "Get It On (Bang-a-Gong"), a 1985 heavy
hitter from The Power Station, (Interestingly, The Power Station were another
four-man group made up of experienced musicians from different bands). Gordon
then took the lead vocals with the quirky classic "Cars" (Gary Numan's 1979
sole hit, the one that goes, "Here in my car"... etc.). Gordon continued his
somewhat distant vocal style and adopted a rare deep tone for Modern English's
1982 "Melt With You". When he declares, "I made a pilgrimage to save this h
uman's race", we view the singer as something of an unorthodox messiah. Redeption
through 80's music? Why not?! Then came a sexy version of Depeche Mode's
1994 "I Feel You", featuring a long, pounding instrumental musical interlude
and a unique vocal styling by Urban; so many different meanings can be
interpreted from the lyrics. A lot of the artists that R.U.B spotlight in their show--
like Depeche Mode and other new wave bands-- relied heavily on elecronic
trickery. (Anyone who's a fan of Rubberlegs, incidentally, will know that Gordon
Smith has many electronic tricks under his size 31 belt, and Gordon brings
these to the stage very well.) So, here's the essence of R.U.B: Robert Urban's
organic guitar work and ethereal voice, combined with Gordon's talents behind
the keyboards and equally unique vox, bring these decade-spanning set to an
entirely different level. They can capture the fun spirit of early Depeche Mode
with 1982's "Just Can't Get Enough", and equally do justice to the somber
numbers of DM's later years, like "Stripped" from 1987 (The line "Let me see you
make decisions without your televison" is more relevant than ever in 2006.) .
R.U.B. is bolstered by the synergy between the four bandmates. Sullivan on
bass offers some much-needed cool restraint, while Maulella shows one step from t
otal abandon with his famous percussion. Speaking of energy, a real
crowd-pleaser came with Devo's decadent 1980 hit "Whip It". After that was a cover of
the Eurythmics' 1984 "Here Comes the Rain Again", with Urban's haunting
vocals never sounding more tormented, and Gordon's synthesizer re-creating the
song's titular raindrops (For Eurythmics fans, the band did perform "Sweet Dreams"
later on in the night as well!). Then came one of The Cars' most famous
party songs, "Let's Go (I Like the Nightlife)", from 1979, and a stripped-down,
haunted version of the Psychedelic Furs (Remember them?) 1982 "Love My Way"
featuring some exquisite synth work. Urban then went solo with The Beatles'
1969 "It's All Too Much", from the legendary "The Yellow Submarine" album, and
then delivered an exceptionally poignant "Solsbury Hill". Gordon took the vocal
lead with New Zealand band Split Enz' 1980 it "I Got You"( "I don't know why
sometimes I get frightened. You can see my eyes, you can tell that I'm not
lyin'"), a song well-matched to his vocal abilities, and The Monroes' sole 1980
hit "What Do all the People Know?" ("Could you be the one I'm thinking of?
Could you be the girl I really love? All the people tell me so, But what do all
the people know?") The audience was also treated to an emblematic original
Rubberlegs song, "The Timinator" the best song from the 80's that was recorded
in 2005! After a brief intermission, R.U.B. returned for more hits. To
again demonstrate the range of the music that night, two performances included
Elton John's 1974 "Don't Let the Sun Go Down on Me," and one-hit wonder Soft
Cell's 1981 "Tainted Love". Another real musical curio came with Thomas Dolby's
1983 "She Blinded Me with Science", the ultimate '80's video game geek-chic
anthem, with Gordon providing lead vocals and Robert gleefully providing the
intermittent declaration "Science!" One of the most priceless moments of the
night was Smith belting out the famous lyrics of The Violent Femmes' 1982 punk
classic "Blister in the Sun": "When I'm a walking, I strut my stuff, then I'm so
strung out; I'm high as a kite, I just might, stop to check you out... Let me
go on, like a blister in the sun; Let me go on, big hands I know you're the
one!". Clearly, anyone coming into Penang Lounge that night who may have
harbored some of New York City's contagious restlessness (sexual or otherwise),
like the hero of the song, definitely left feeling more "high as a kite" than
"strung out" after this show. R.U.B.'s energy is indeed contagious!
So many hits, so little time-- even with four hours! R.U.B. performs
again at Penang Lounge on Tuesday, December 19th and Tuesday, January 30, 2007.
Penang is located at 240 Columbus Ave. at 71st St., Call (212) 769-3988 or
check out www.PenangUSA.com for their menu and more info.
Also check out:
www.RobertUrban.com
www.Rubberlegs.com
Jed Ryan
PM Entertainment Magazine
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